How do you choose a book? Book lists by other writers are a great place to start

When I was growing up, Mortimer J. Adler championed The Great Books of the Western World, Clifton Fadiman promoted The Lifetime Reading Plan, and every thrift store worth its salt carried a broken set of the Harvard Classics. All these enterprises were energized by one basic assumption: Civilization was on the ropes because fewer and fewer people engaged with the literature and intellectual achievements of the past. Instead, Americans — especially young Americans — were wallowing in ephemeral, popular amusements, which in the mid-20th century largely meant movies and television. Wouldn’t we all be better off devoting our evenings to Aristotle and Emily Dickinson?

Probably. Yet these well-intentioned literacy campaigns usually made reading sound like schoolwork. Far better, I now think, to emphasize that acquiring familiarity with humankind’s greatest cultural achievements, besides increasing one’s store of knowledge, lends an additional pleasure to life. After all, we read because it’s exciting. Metaphorically speaking, books are always taking us to the big city, opening our eyes to the world’s plenitude and diversity. By contrast, those who ban or censor them want to keep us down on the farm, restricting our experience to some safe or approved orthodoxy.

Here, in fact, is where reading lists — of Great Books, Neglected Books, or Favorite Books — prove their worth. Like the Michelin travel guide endorsement “Vaut le Voyage,” they implicitly guarantee that the selected titles will be “worth the trip.” You’ll laugh over Jerome K. Jerome’s Three Men in a Boat, your heart will break during Madame de Lafayette’s The Princess of Cleves, you’ll thrill to Njal’s Saga, you’ll feel smarter for having spent time with James Boswell’s Life of Samuel Johnson. You really will be, too.

As it happens, I was recently sifting yet again through the detritus I grandiosely call my files and papers when I turned up a half-forgotten storage box. Inside was a bulging wad of photocopies and pages torn from magazines and newspapers — book lists of nearly every kind. They are now piled, higgledy-piggledy, by my side as I type.

At the top is a clipping from a 1976 issue of The New York Times Book Review in which a dozen authors choose the books they most enjoyed that year. For example, Joan Didion talks about Joseph Conrad: “I ... reread Victory, principally because I had been working with a first-person narrator” — she’d just finished A Book of Common Prayer — “and I wanted to see how Conrad had handled some of the problems an uninvolved narrator presents. This turned out to be an exercise in humility.”

Next in the stack are several stapled pages from The (London) Times Literary Supplement’s 1993 feature, “International Books of the Year.” There, Joyce Carol Oates writes “Of contemporary books, none has struck me as more ambitious, instructive, and rewarding than the massive anthology, Speech and Power: The African-American Essay and Its Cultural Contents from Polemics to Pulpit, edited by Gerald Early.” She concludes her enthusiastic endorsement for this two-volume work by presciently declaring, “A revolution has been underway for some time in American culture, stimulated by black consciousness, and Speech and Power names the players.”

Following this, I come upon “Big Brother’s Reading List” excised from a 1976 issue of National Review. The compilers offer a corrective to what they perceive as the over-liberal bias and self-lacerations of the titles selected for the Bicentennial by the American Library Association. The alternative list includes Jacques Barzun’s God’s Country and Mine, described as “the definitive rejoinder to fashionable anti-Americanism,” and Evelyn Waugh’s Scoop, summed up as a “prophetically satiric novel about wars of liberation.”

From another dive into the pile, I discover that Edith Pargeter — a.k.a. Ellis Peters, creator of the Brother Cadfael mysteries — regards Clemence Housman’s The Life of Sir Aglovale de Galis as “the finest work on an Arthurian theme since Malory. ... I know of nothing in literature more intense nor of an intensity so held in control.” In a 2002 issue of The Week magazine the critic James Atlas calls Frank Conroy’s Stop-Time the “best book ever written on what it’s like to be a boy growing up in postwar America.” For a regular feature in Antaeus Quarterly dubbed “Neglected Books of the 20th Century,” Laurie Colwin, author of the wonderful Happy All the Time, selects The Liar by Thomas Savage, a writer currently being rediscovered because of one of his other novels, The Power of the Dog.

And next I find ... that I’ve run out of space here, having scarcely begun to work my way through these yellowing pages of bookish enthusiasm. Let me end, though, with a 1997 Spectator magazine survey in which English biographer Sheridan Morley names Personal History, by The Post’s longtime publisher Katharine Graham, as “the memoir of the year.” It “tells us who really ... runs Washington, which is in fact the author.” Would that this were still so! 

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