One big challenge every year for Mariannah Amster and Frank Ragano, co-executive and artistic directors of Currents: The Santa Fe International New Media Festival, is where to place installations in relation to one another without competing or overlapping sound and video projections. Cables, projectors, speakers, and DVD players must be masked to lessen their visual impact, scrims must be hung to prevent one work’s emanating light from polluting the piece next to it, and enough space must be allotted to allow visitors to experience the full effects of each artwork. Amster and Ragano have been running the festival, which begins on Friday, June 10, and continues through June 26, since its beginnings in 2002. The first few festivals, produced by their organization Parallel Studios between 2002 and 2009, were small in scale compared to the present multi-venue footprint. Since 2010, El Museo Cultural de Santa Fe has been home to the main exhibition, while satellite shows and events occur throughout the city and state. The festival is now in its seventh consecutive year as an annual international festival. Currents staff are installation professionals, and the festival is the most far-reaching, dynamic, and visually inventive art exposition in town.
It is also the most inclusive event of its size and kind in Santa Fe. Currents partners with local galleries, schools, and art institutions for satellite exhibits, symposiums, workshops, and lectures, and the expo features many local artists. But what does the main exhibit include? It’s not all single-channel video, although there’s plenty of that. There are also outdoor installations and projections, robotics, immersive multimedia environments, computer-simulated realities experienced through Oculus Rift headsets, soundscapes, and video sculptures. In addition, there’s multimedia performance art, such as Australian artist Michaela Davies’ Duty, a Pavlovian-like dance piece in which seven participants holding handbells are affixed with electrodes and a musical composition converted to a MIDI sends electronic impulses to their muscles, resulting in involuntary spasms and forcing the subjects to perform. “It’s wonderful and creepy at the same time,” Ragano told Pasatiempo. “They’re playing these bells because they have to.” Duty is performed on Friday evening, June 10, and Saturday, June 11, during the opening weekend events.
Brooklyn-based collective Ariadne’s multimedia performance piece Observance_003 also takes place on June 10. Outdoor installations include North Carolina-based artists Lee Weisert and Jonathan Kirk’s Soundial: three ultrasonic directional speakers that rotate at different rates and emit sounds in a narrow range that can be heard only when facing them. Also on Saturday evening, composer Grey Filastine and vocalist Nova Ruth, known as Filastine, perform their world-music-inspired experimental compositions. New Mexico-made projects include collaborators Max Almy and Teri Yarbrow’s motion-activated multimedia work Retabla; Susanna Carlisle and Bruce Hamilton’s video projection Debris; single-channel video and animation by Orlando Leibovitz; and Marcus Zúñiga’s Space, a revolving computer-generated field of stars.