THE WOMAN WITH THE 5 ELEPHANTS This quiet, important
addition to Holocaust documentaries follows Svetlana Geier as she visits Ukraine
for the first time in more than 60 years. Geier was
a renowned translator of Russian literature into
German; in the 1990s, she began working on the
five great novels by Dostoyevsky. Whatever guilt she
holds inside about the past is palpable in the silences
filmmaker Vadim Jendreyko allows to shape the
story. Friday, Feb. 17, only. Not rated. 93 minutes.
In German and Russian with subtitles. The Screen (Jennifer Levin) IMDB
THE SECRET WORLD OF ARRIETTY The latest picture from Japan’s Studio
Ghibli is the studio’s most accessible
family film not directed by Spirited Away’s Hayao
Miyazaki (who co-wrote). Based on Mary Norton’s
1952 children’s book The Borrowers, it’s the tale of tiny
people who live under the floorboards of a house and
“borrow” items from the human residents. The gentle
plot is thin, but the treasure of the film lies in how
the animators shrink you down into this microcosmic
world. The screen is full of vivid colors, and the
brilliant sound effects make even the smallest noise
impressive. Rated G. 94 minutes. Regal Stadium 14 (Robert B. Ker) IMDB
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PINA Wim Wenders, the German
filmmaker known for Wings of Desire
and Paris, Texas, has created a stunning
documentary about choreographer Pina Bausch, who
died suddenly in 2009. The film, nominated for an
Academy Award in the Documentary Feature category,
uses 3-D technology in a surprising way. Instead
of taking you on a thrill ride, the director uses the
broadening of the senses that the extra-dimensional
technique offers to draw you into Bausch’s dances
and to create intimacy that sometimes borders on
the extreme. Rated PG. 103 minutes. In various
languages with subtitles. Screens in 3-D only. Regal Stadium 14 (Michael Wade Simpson) IMDB
GHOST RIDER: SPIRIT OF VENGEANCE It was only a matter of time before Nicolas Cage
made a movie with director Mark Neveldine (Crank:
High Voltage), as no idea is too crazy for either of
them. Few people clamored for a sequel to the nutso
2007 movie Ghost Rider, which was not as well
received as other films based on Marvel comics, but
those who asked for it will most likely enjoy it. Rated
PG-13. 96 minutes. Screens in 3-D and 2-D. Storyteller Dreamcatcher Cinema IMDB
| Official site
CORIOLANUS Ralph Fiennes
brings his acclaimed stage version of
Shakespeare’s Coriolanus to the screen
with thunder, blood, and muscle in a polished film-
directing debut. Trimmed by screenwriter John
Logan to a lean couple of hours and wrenched into
the present day (much of it was shot in Belgrade,
evoking the bloodbath of the ’90s), this Coriolanus
has the look and feel of an action flick wrapped in
the rich language of the Bard. Fiennes, head shaved
and face streaked with mud and gore, is a ferocious
warrior, and Vanessa Redgrave is at her very best as
Volumnia, his iron-willed mommie dearest. The story
can be a bit of a challenge to follow at times,
but the payoff is powerful. Rated R. 122 minutes. CCA (Jonathan Richards) IMDB
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THE VOW Amnesia is something that seems to
happen in movies far more often than real life. In this
movie, Paige (Rachel McAdams) suffers memory loss
in a car accident, and her husband, Leo (Channing
Tatum), labors to help her remember him. Director
Michael Sucsy (Grey Gardens) no doubt hopes
audiences will forget that they’ve seen these romantic
clichés a thousand times. Rated PG-13. 104 minutes. Regal Stadium 14 ()
THE 2012 OSCAR-NOMINATED LIVE ACTION SHORT FILMS While the
entries in the live-action program are all
well made, they face stiff competition from the films
in the animated and documentary categories and
consequently rank last in terms of viewing priority.
Nonetheless, the U.S.-made Time Freak is innovative
and clever, while the Norwegian film Tuba Atlantic
is far more weird than anything in the animation
program. It’s weirder than the dancing zombie in
A Morning Stroll, which is really saying something.
Not rated. Approximately 85 minutes. The Screen (Jeff Acker)
THE 2012 OSCAR-NOMINATED DOCUMENTARY SHORT FILMS Four Chiles
Hats off to the Academy voters who
chose the shorts in this category. There is little of the
fluff and self-indulgence that plague so many of today’s
feature-length “documentaries” — an increasingly
loose term. Razor-sharp focus on traumatic events in
Japan, Iraq, Pakistan, and the U.S. connect viewers
to the reality of human struggle in ways that are
alternately devastating and uplifting. Incident in New
Baghdad and The Barber of Birmingham — about
James Armstrong of Alabama, a “foot soldier” in the
civil rights movement — are neck and neck for sheer
impact. Not rated. Approximately 115 minutes. The Screen (Jeff Acker)
THE 2012 OSCAR-NOMINATED ANIMATED SHORT FILMS The brightest star in Oscar’s strongest
showcase of animation in years has to be The
Fantastic Flying Books of Mr. Morris Lessmore, a
paean to the joy of reading that is nothing short of
magical. Wild Life offers a haunting look at an Old
West homesteader. A Morning Stroll is fiendishly
wacky, and the low-key, droll Dimanche/Sunday is
fun, though animal lovers will gasp at a disturbing
sequence toward the end. Pixar’s entry, La Luna, is
enchanting, but those books will put you over the
moon. Not rated. Approximately 60 minutes. The Screen (Jeff Acker)
THIS MEANS WAR Reese Witherspoon plays a
woman who dates two hunks at once. Chris Pine and
Tom Hardy are Reese’s pieces, and they’re also best
friends at the CIA. When they find out they’re dating
the same woman, they compete for her affections
using their special training, advanced weaponry,
and taxpayer dollars. Opens Tuesday, Feb. 14. Rated
PG-13. 98 minutes. Regal Stadium 14 ()
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