UFOs. You’ve seen them on the internet, and you’ve seen them on TV. Perhaps you’ve even seen them in person or thought you did. Think about the way they move, flicking in and out of sight at dizzying speed and stopping to hover just long enough to for you to notice. Then, whoosh, they’re gone again, the way a random thought or word is held pure and crystalline in the mind but vanishes — along, it seems, with your memory of it. Allan Graham, under the moniker Toadhouse, presents pieces from his UFO series at David Richard Gallery as part of the exhibition Any Position Limits the View (We Are Only Here for a Spell). But Toadhouse’s paintings are not about visitors from outer space — except insofar as that’s a metaphor for thoughts themselves.
At a distance, a painting from the series looks nearly monochromatic, and shapes emerge: clusters of marks that coalesce into disclike objects. The forms you see are composed of words. Some are sentences, and others are single words that rain down or encircle the more figurative imagery. As a title, From and Form in an If Shower — one of the paintings from the UFO series — sounds like the kind of tag that provokes a viewer to say “I just don’t get it.” But Toadhouse uses titles descriptively. The UFO shapes in the painting were made using the two words from and form. The marks falling all around them are repetitions of the word if.
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